Sunday, January 29, 2017
An Artistic Evolution
My thoughts are on my drawings and how my style is evolving. I woke yesterday thinking about the current in-process on the drawing board and the need to get it finished. This one has been a struggle and it dawned on me that I sometimes have this – habit – of having a tree or part of a tree on the side edge of the drawing … but not enough of the tree to make a statement or even really look good the drawing.
I question myself: Why do I do that?
There are a couple of reasons. One is a photography teacher once telling me a good photo needs to be “framed” by elements on the side. My interpretation of that statement might have been a little skewed which, as my photography is evolving, I look closer at how I’m cropping and editing.
Another reason is I like trees, but I’ve discovered throughout the years that often what looks like a good shot in real life is not always a good photograph or will work in a drawing.
Then there is the fact of the medium in which I work and what will determine a good drawing in this style.
With those thoughts, I went back to the drawing board and made the tree on the side of the drawing extend more into the drawing itself. What a difference that extra added! I felt comfortable in calling the drawing finished with 15 more minutes of work. The drawing is happy and I am pleased with the outcome.
So, what am I learning from these thoughts, statements, and older beliefs?
I need to listen more to what the drawing wants.
I have to allow that the drawing is not going to look exactly like the photograph.
Sometimes I have to look with “soft eyes” to see elements in a different aspect. I have to stop, stand back, walk away for awhile.
The medium I work in (charcoal and pastel sticks) does not lend itself to crisp, sharp lines and minute detail and that means I have to compensate for that.
I have to remember the photograph is just a guideline and trust my own intuition, allow free-flow, and let the drawing happen. It’s similar to my writing when I let the writing free-flow. When the words pour in and then out, I can’t stop to edit or it breaks the flow. I’m discovering a similarity in drawing. Let it flow and when the flow stops, then I can go in for details and adjustments.
I am excited about these discoveries and my artistic evolving.