Monday, August 4, 2014

The Line Between Fine Art and Fine Crafts

I did my first outside show of the season on Aug. 2 in Goffstown. There was light rain during set up and a couple people questioned whether to continue or pack it in. I opted to keep going and by the time we were set up, the rain had stopped. Rte. 114 through the center of town sees heavy traffic and lots of people stopped by to admire the art work. We enjoyed some great conversations.

I shared my canopy with Nan McCarthy who does “impeccably detailed fine art;” ie: very detailed small and miniature, photo realist, acrylic paintings. I do charcoal landscape drawings and photography and we both had cards. I love giving customers a variety from which to choose. I love seeing the variety of art styles and products, but I’m beginning to wonder if it’s too much of a variety.

I enjoy sharing the canopy because the set up and take down work is halved when shared. The conversations to and from the shows are inspiring. It’s also nice having someone in the booth so we can take turns visiting the other artists. It’s hard not to have self doubts when sales are slow. Questions abound. Is it either one of our faults? No, we are both very good at what we do.

Cyndi Hurlbut, who had the canopy next to ours, shared some ideas she’d been contemplating. It’s an old topic of the differences between fine art and fine crafts. Many “fine artists” don’t want to participate in shows where there are crafts. Her work is more along the line of fine art crafts. She said that recently she was put amongst flea market vendors during a show that mixed art and flea market. She didn’t make any sales as customers who visited that area were after the cheap “deals.”

The first year that the Center for the Arts in New London held their Art on the Green summer show, Nan and I shared a canopy. The next year we were told there would be no sharing AND I was told that I could not have my charcoal drawings and photographs under the same canopy. They were separating the “fine art” from the “crafts” and they considered photography a craft and not an art. Needless to say, I’ve not participated since. I could not imagine choosing between my drawings and my photographs. It’s what I do!

It’s been a couple years since then and although I don’t do a lot of shows, I think I’m beginning to understand. I’ve always considered any kind of creativity as art, but from a selling point of view, there does seem to be a difference. Certain types of customers are looking for that fine art and not the other and vice versa. Does this mean that the true “art collector” will not visit the booths or areas where there are crafters? And where is that line?

There also seems to be some kind of prestige at being able to say, “I’m a member of this, this, and that.” I, personally, have never been impressed by that and I tend to be bored by seeing these lists of memberships and where people have exhibited. I am more interested in the art work. I don’t care about their long lists of bragging. Maybe I’m wrong and it is important.

And speaking of memberships that brings me back to Cyndi’s subject. We’ve been members of the Hillsborough Area Artisans and Cyndi also belongs to the Monadnock artisans group. Both groups are going through some transitions. Both groups have fine artists and fine crafters and Cyndi is wondering that instead of mixing the artists and crafters, would it be more beneficial to the members to have two shows; one for the fine artists and one for the crafters.

This is a subject that will require some thought and conversation. In the past, I would have been against it, but now…



Tuesday, July 29, 2014

Donning a Different Hat


It’s time to buckle down and concentrate on the two upcoming art shows. This coming Saturday, August 2, I will be in Goffstown for their Uncommon Art on the Common show. The following weekend, August 9 and 10 will find me at the Gallery at Well Sweep in Hillsborough Center for the HAA Open Studio Tour.

Off comes the writing and editing hat and on comes the artist’s beret. Well, not a beret maybe because I am not actually doing the art, just preparing what is already done for the shows. I made post cards to promote the new book “Too Cold for Alligators” and I printed new brochures yesterday. I’ll do more brochures today and maybe print new note cards.

I wish I understood and knew the terms better for different kinds of hats. You all know that I talk about the hat analogy often regarding all my different “jobs.” I wish I could name a style of hat and come up with a description including color, material and accoutrements for each one. Then I could draw little caricatures of myself wearing these different hats. What fun.

I have today and tomorrow to work on this as come Thursday, I will be back to the editing role again. I have to get as much done as I will be without internet on Saturday and unable to do any newspaper work.


If you’re out and about on Saturday and get a chance, visit my booth in Goffstown from 9 a.m. - 3 p.m. I will be sharing with Nan McCarthy and we’ll have an array of cards, prints, charcoal drawings, and acrylic paintings.

Monday, July 28, 2014

Update on "Too Cold for Alligators"


I received a phone call late Saturday afternoon from AuthorSolutions. She announced that they agreed to do my changes at no further cost to me. Yes! She started talking about grayscale and the work their production team will have to do. I said that I have the photos in grayscale and asked if it would be easier for me to send the file and she agreed. I liked this better because then I would have control of the editing. (Of course it still depends on the printing.)

I told her the issues I had with the color of the cover being too dark for the background pictures to show and that the font on the back was too small to read easily. She said they would take care of that, too. I next mentioned my mistake of forgetting to put “insert photo 2186” after the text on the last page of the interior. I knew as that was definitely my mistake that it would probably cost me. She surprised me by saying they would include that, also.

I am pleased. A company should work at making sure their customers (authors in this case) are happy with the product. These self-publishing companies are set up to be, basically, printers of what they are sent. However, there must be satisfaction in the result. I have been set back a few weeks and will not have copies of the book for sale at the upcoming shows, but at least when I do get copies they will be up to my standards. They have done well in their agreeing to fix the problems and that they are including my own error is very much appreciated.

So, yesterday after finishing my editing work for the week and writing an article, I went through the pictures. I was told to send the files using wetransfer.com and I uploaded the photos and hit send. It took over an hour for the 50 pictures to transfer. I also sent an email detailing the changes I wanted. Now it’s back to the waiting game, but I am excited. This will work!

The e-book version will not change and is still available at amazon.com. 



Friday, July 25, 2014

"Too Cold for Alligators" Update

Busyness caught me again and Gail visited for a couple of days.” I sent another e-mail this morning to AuthorHouse to address other issues besides the pictures in my book Too Cold for Alligators. For a so-called good name company, I am highly disappointed.

Here is the response to my emails last week:

Good day.

I apologize for the wait.  The photos have been checked by the printer’s technicians.  Below is the response:

“This is a B&W interior book printed at 106 line screen and in spec.  If the author needs clearer, less grainy images, you may opt to upgrade to premium color instead.  This is the way it will print on B&W.”

I forwarded your concern to our resubmission team.  An assigned specialist will get in touch with you and walk you through the resubmission process.  Should you wish not to push through with the change, please let him/her know. 

Are you kidding? Needless to say, I responded saying again how disappointed I am and asked them if this is what they do to make authors spend more money to get an acceptable product. I also said that if this is the work they do, they will not get any more business from me.

Maybe I cannot blame them 100 percent. There was my own lack of experience with this type of thing. I should have known that I needed to lighten and add more contrast to the photographs. (That doesn’t excuse the lifeless, dull, grainy grayscaling.) It’s hard to change what looks good on the computer monitor to something that doesn’t look as good and trust that it will print well. Also, it was my fault that I forgot to put an insert photo notice for the last picture.

However, the first pages and first chapter can be previewed on amazon.com which includes the first picture and that doesn’t look grainy, dull and lifeless. Then again, the e-book is in color. Perhaps the problem is just with the printed copy. Still, I am very disappointed! As I don’t do e-books, the printed version is more important to me.

It’s looking to me like this might be a company that throws around big names then keeps milking the authors for more and more money.

Too Cold for Alligators is available as an e-book through amazon.com.


Sunday, July 20, 2014

Image Processing of Publishing


Finding My Way through the Image Processing of Publishing
Another busy morning and I took time to photograph the book cover. When I edited the photo by adding brightness and contrast, I noticed that there were alligators in the background of the cover which I hadn’t noticed before as the cover color is dark. What a nice surprise… but only nice if customers can see it. I posted the picture to Facebook.
I decided to go through the photos in the file and grayscale them. I looked more closely at the photos in the book. Yes, they are still dull and lifeless, but I noticed, too, they are grainy and there are vertical lines like when the printer is running out of ink or the print head is dirty. I also noticed that the maps, while better than the photos, also have that running out of ink look.
I heard back from someone who bought the e-book. She said that the photos are okay, though a little dark. The e-book has the color photos. I do tend to be a little dark with my editing. I don’t know if it’s because of my eyesight or the computer screen doesn’t show the pictures as dark as they will be printed. I have to work on how I “see” the pictures in the editing program and add more brightness and contrast if needed. When I think the picture looks perfect, it tends to print dark.
I tried to take that into consideration when editing the photos for the book. Still, it’s hard to know how they will print in a book. The types of printers, inks, and the book pages play a part in how the images will look. The colors on my program are RGB and the ones at AuthorHouse uses a “CMKY color space,” whatever that means.
I often find when grayscaling my photos, I have to add quite a bit more contrast than from the color photo. So did AuthorHouse just hit a grayscale button without tweaking the photos?

So, I struggle through a Sunday wanting answers or to at least talk with a consultant to be able to resolve these issues. 

Saturday, July 19, 2014

Owning Up to My Role


I still have not heard back from AuthorHouse. I checked Amazon this morning and my book is for sale there… with a two to three week lead time. Wow. I’m still struggling. I don’t want anyone buying the book in this state. I sent two more emails to AH this morning; more strongly worded than the past two days’ messages.

I’m struggling with coming to terms with how much of this is really MY fault. Yes, I should have made absolutely sure on the pictures. I should not have trusted that when they took the color photos and turned them grayscale that they would adjust the contrast as necessary. Then there’s the fact that the proofing is done online without seeing the actual copy (and now finding that actual copy to be unacceptable).

A lesson to anyone doing self publishing – these print-on-demand places print exactly what you send and don’t question anything. Why should they care? They get your money. So if what you send isn’t perfect, too bad. Oh, my lessons are always so costly financially to me!

Should I have known better to make my pictures lighter? I thought I had enough contrast. What I see on my computer screen looks good to me. How could I tell that the pictures wouldn’t print well on book paper? And yes, when I edited the color photos to send, I did peek at grayscale and thought they looked fine. So, what happened?


Am I now stuck with this? I am feeling that all my work the past year and a half has been for naught.

Friday, July 18, 2014

First Print of Too Cold for Alligators


It’s here! Too Cold for Alligators arrived by UPS at 5 p.m. and I eagerly tore open the package. I opened the book to take a look. The maps came out good. I turned to the last page. The photo isn’t there, the one that was the most important to me. Oh, no. I looked at other photos and my heart sank. They are dull, lifeless, and some are too dark. I am crushed. This isn’t the type of work I do.
Shock set in as I wondered what my role was in all of this. I immediately messaged AuthorHouse to report my disappointment. I know that the “package” I bought (their cheapest, but to me, very expensive) only allowed one set of revisions to the text (which was done before I approved the galley) and that photo changes would cost more money. They required color photos because of the e-book saying they would convert the pictures to black and white for the printed copy of the book. When I reviewed the galley, I commented at the time that the black and white pictures were too dark. I didn’t know if that’s how they would look in print. The coordinator assured me she would speak to the production team. I worked hard on the photos and to see them looking as they do is heartbreaking.
I have 50 photos in the book, well, 49 as the last one didn’t make it in. I checked the manuscript this morning and that was my mistake. I forgot to put “insert photo: The Light in Her Eyes” although I had it listed on the List of Photos page. I am willing to pay for that as that was my mistake. However, the poor quality of all the other pictures brings tears to my eyes. A year and a half of hard work and this is the end result? I am ashamed and embarrassed. How can I expect anyone to buy this book? And if they do, what kind of reviews will they give it? Like I said, this isn’t the kind of work I do.
And of course, I wonder if this is a ploy to get authors to put out more money. They offer as little as possible in the package then offer all other services for additional costs. If you opt not to “buy” more, then do they print as shabby as possible to get the author to have to pay for corrections?
Needless to say, I am heartbroken this morning. I wanted to have the book in hand to sell at upcoming shows. That will be impossible now. I don’t know what to do next. I’ll have to wait to hear from them. I’ll let you know.